by Kathleen Bradean
Two months ago, I asked readers to tell me what topics they'd like for us to cover. Martin asked how to avoid redundancy in sex scenes while writing a novel. I tried to pass that on to Lisabet and Donna, and they did answer, but this question deserves deeper investigation.
For purposes of discussion, I'm going to over-simplify a few things, such as an observation that there are two types of erotica novels. The first is a fun romp of sex scenes loosely tied together. The other is the exploration of a character through the lens of sex and sexuality.
If you're writing the first type, the aim is variety. A Donna mentioned, avoid redundancy by bringing in different or multiple partners, using different sexual acts, adding elements such a voyeurism, and increasing the stakes be it more intense BDSM or the possibility of being caught or whatever fits the plot. The result should be light and fun for both the characters and the readers. (I don't mean light as an insult. It's difficult to maintain an upbeat tone page after page. I couldn't write a breezy story if my life depended upon it. But I do enjoy reading them.)
If you're writing the second type, you're probably going to have fewer sex scenes than in the first type, but that's up to you and what best fits your story. You can use all the tools available to the previous type, but this isn't sex just for the sake of sex. This is a carefully crafted sexual encounter designed to transform the character. Titillating your audience isn't necessarily your aim or an inadvertent outcome, although there is absolutely nothing wrong/right/good/bad if it happens. Redundancy shouldn't be a problem here because you are focusing on what this particular encounter means to a character at this specific point in their life. Since your character should be changing throughout your novel, at each sex scene they have a slightly different take on what's happening and you're going to help them grow through it. So even if in both scenes the sexual positions and partners are the same, the emotional outfall might be very different. Maybe the first time the character is over the moon that this person wanted to have sex with them, but the second time, they feel used or sad. You also have the luxury of writing bad sex/sex gone wrong/discomfort with what happened/mixed or complicated feelings. We learn a lot through setbacks in life, and so should our characters.
Martin, I hope this is what you meant by redundancy. If not, let me know.
Feel free to add your thoughts on this.
Wednesday, August 24, 2016
by Kathleen Bradean
Posted by Kathleen Bradean at 12:00 AM
Sunday, August 21, 2016
He could scarcely look at her without imagining her rounded limbs wound with rope, her neat bosom bared to his pinching fingers, her lively brown eyes hidden by the blindfold that would give him license to use her however he chose. His prick swelled to an uncomfortable bulk inside his trousers. He was grateful that the motoring duster he wore concealed the evidence of his excitement.
“You’re a clever little slut,” Andrew muttered through gritted teeth. “I’ll wager this isn’t your first time eating a man’s prick.” He wound his fingers into her hair and held her head still. “Open!” Jerking his hips, he drove his cock down her throat with bruising force.
Friday, August 19, 2016
Where did the summer go?
I hope you've spent yours writing suitably steamy stories. If so, today is your chance to share a bit of them!
The ERWA blog is not primarily intended for author promotion. However, we've decided we should give our author/members an occasional opportunity to expose themselves (so to speak) to the reading public. Hence, we have declared the 19th of every month at the Erotica Readers and Writers Association blog Sexy Snippet Day.
On Sexy Snippet day, any author can post a tiny excerpt (200 words or less) in a comment on the day's post. Include the title from with the snippet was extracted, your name or pseudonym, and one buy link.
Please post excerpts only from published work (or work that is free for download), not works in progress. The goal, after all, is to titillate your readers and seduce them into buying your books!
Feel free to share this with erotic author friends. It's an open invitation!
Of course I expect you to follow the rules. One snippet per author, please. If your excerpt is more than 200 words or includes more than one link, I'll remove your comment and prohibit you from participating in further Sexy Snippet days. I'll say no more!
After you've posted your snippet, feel free to share the post as a whole to Facebook, Twitter, or wherever else you think your readers hang out.
Thursday, August 18, 2016
As I’ve written here before, it seems that every generation believes it invented sex. Given the long history of the human race, this idea is physically impossible, of course, but it is not wrong in spirit. Each individual does indeed “invent” sexual experience for herself with every passing day. Yet one of the fascinating surprises of my research into early twentieth-century erotic culture is that many aspects of what we consider “modern” sexuality—“respectable” girls pursuing and enjoying sex, finding boyfriends at dances or other amusement places, and generally rebelling against wait-until-the-wedding values—were flourishing all the way back in 1910.
Sexual freedom was especially abundant in one famous locale at the bottom edge of Brooklyn: Coney Island. I had the pleasure of visiting Coney Island for the first time earlier this month, and while its glitter is somewhat diminished from its heyday in the early 1900s, the spirit of carnival and sensual liberation lives on.
The desolate sands of Coney Island were first developed into a high-class hotel resort in the mid-nineteenth century. With the advent of cheap trolley, steamboat and rail service, Coney soon became the playground of the people, an affordable way for working families to escape the heat of the city. In the early twentieth century, the enclosed amusement park was born at Coney. Steeplechase Park, Luna Park and Dreamland lured millions of visitors to frolic every summer. Rides included roller coasters (also known as “scenic railways”), tunnels of love, trips to the moon or exotic terrestrial lands, and reenactments of fires and floods.
But the real attraction of Coney Island was sex. Sea bathing only became popular in the late nineteenth century. Bathing suits covered far more flesh back then than they do today, but they were quite skimpy by the standards of 1900 dress. Shedding corsets and waistcoats led to untrammeled fun. Gotham: A History of New York City to 1898 notes that bathers were acting “precisely as if the thing to do in the water was to behave exactly contrary to the manner of behaving anywhere else.” (p. 1136)
Even more insidious to morals were the mechanical rides. From 1897 to 1964, Steeplechase Park’s headliner ride--a mechanical horse race that allowed for two riders to share the saddle, one behind the other--provided a well-known opportunity for couples to get closer than they ever dared in the parlor of a Sunday. Roller coasters allowed young women to clutch their male escorts tight and scream. Tunnels of love such as the Old Mill allowed couples to spoon and cuddle without a chaperon. “Three times through the Old Mill was considered equivalent to the engagement ring, and sometimes once even did the trick,” write Oliver Pilat and Jo Ranson in Sodom by the Sea: An Affectionate History of Coney Island. An old Coney Island joke runs thus:
“You shouldn’t have done it Sam,” Sarah said after the Old Mill ride.
“But I didn’t do anything, Sarah!”
“Not a thing, Sarah.”
“Well, somebody did!” (Sodom by the Sea, p. 217)
Sweethearts often went to Coney together to dance and dine, have their photos taken and their fortunes told, but the resort was also known as a place to meet a stranger of the opposite sex for a day of fun. Young working-class women could enjoy all of Coney’s pleasures for the price of trolley fare, as single young men were on the lookout for a pretty girl to treat with the promise of at least a kiss or two. Common wisdom has it that the clever girls managed to board the train home without surrendering any sexual repayment, but one wonders if the girls weren’t caught up in the anything-goes spirit of the place as well. Rent-by-the-hour hotels were certainly a mainstay of local business. (For more on the Coney Island sex excursion, see Kathy Peiss, Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York 1880-1920).
Today Coney Island still offers cool breezes on a hot summer day, as I can well attest. You can still ride Deno’s Wonder Wheel and dare yourself to try the roller coasters and spook houses. You can still eat a hot dog from Nathan’s in its centennial year and get your fortune told for a quarter from a waxwork grandma. She told me to expect a letter soon and refuse the next opportunity to travel because my “best interest lies in staying at home.” Grandmother also foresaw a great financial change in my status in the near future and suggested I drop in another coin to learn more.
Most marvelous of all, however, was the thought that people have been seeking sensual pleasure at Coney for over a century in the very same ways we do today. To all the couples who got engaged in the Old Mill and kissed under the boardwalk and dared to cuddle on the Steeplechase horses—you were the present and future of Eros in America.
Long live the Coney Island of the mind!
Donna George Storey is the author of Amorous Woman and a collection of short stories, Mammoth Presents the Best of Donna George Storey. Learn more about her work at www.DonnaGeorgeStorey.com or http://www.facebook.com/DGSauthor
Monday, August 15, 2016
Thursday, August 11, 2016
By Mikey Rakes
When you begin writing, focus on simply getting the story on the page, and worry about the mechanics later. Remember, however, that you don't want your reader pulling back at a crucial moment. Sex scenes are more than a way to titillate the reader. They must help to move the story along and expand the reader’s knowledge of the characters involved. Sex scenes enable the reader to understand your characters and grasp their normality. We all realize when we first fall in love the reality is...we fuck like bunnies. Sex is a part of life. In the case of same sex couplings, in our writing, we must be hyper-aware of the use of pronouns. Help the reader understand what he/she is doing to him/her, and your readers will love you for the extra effort they may never realize you've made. Make it seamless, baby.