Thursday, October 30, 2014
Tuesday, October 28, 2014
Sunday, October 26, 2014
by Jean Roberta
In 2010, three brave sex workers went public to challenge Canada’s antique laws on sex work. These laws, which were essentially unchanged since Canada became a nation in 1867, made it illegal to:
- “solicit” customers (interpretation of what this actually meant was up to local police and courts)
- “keep a common bawdy house” (a place designated for the exchange of sex for money), or
- “live off the avails” of prostitution (to operate as a pimp or manager of a sex worker).
The legal basis of the challenge was Canada’s Charter of Rights and Freedoms, passed into law in 1982.
A sensible Supreme Court judge, Beverley McLachlan, agreed with the three challengers that the 1982 laws made the older laws on sex work unconstitutional. What to do?
Judge McLachlan gave the Canadian government a mandate to come up with a new plan for dealing with sex work. Apparently leaving it alone was not an option. In 2013, the illegality of the previous laws was finally confirmed (if you follow this). In June 2014, a new slate of laws was proposed, and it has been furiously debated since then. The new bill has to be passed into law or rejected within one year: by June 2015.
So what is this new bill? It was borrowed from Sweden, where it was devised by the feminist wing of a left-of-centre political party. Apparently this new approach has spread to other Scandinavian countries. Its aim is to “protect” women and children from sexual exploitation.
The new bill makes it illegal to buy sexual services (or to communicate for the purpose of buying them), but not to sell sexual services. It also makes it illegal to “practice” the sex trade in the vicinity of anyone under the age of majority, which is eighteen in Canada. In some parts of Canada, men who are arrested for buying sexual services are already sentenced to attend “john school,” where they are taught that what they did was exploitative and immoral.
I’ve been asked what I have against this approach, if I call myself a feminist. Sigh.
Firstly, the prohibition against selling sex within sight of children just seems ridiculous to me. In the early 1980s, I brought my two-year-old daughter with me to visit a friend in Vancouver, on the Canadian west coast. My friend lived in the West End of the city, which was known as a centre for street prostitution. When my friend, my child and I walked down the street on our way to the park or the shops, we saw what I first mistook for fashionably-dressed women waiting for buses or taxis. They didn’t bother the three of us; we weren’t their target audience. Only after my friend pointed this out to me did I notice the brisk trade between the women and the men who picked them up.
I really doubt whether my two-year-old was damaged by being exposed to this aspect of city life.
Later, as a single mother who needed money, I went to work for a local escort agency in Saskatchewan, where I live. The first escort agency in my city was apparently started in the late 1970s by two women from Winnipeg (a bigger city to the east of me), where this method of practicing the sex trade was wildly popular. The agencies are based on the legal fiction that they simply provide companionship for a limited time for a paying customer. If sex is not explicitly mentioned by a customer who calls the agency, or by the receptionist who takes the call, this fiction can be maintained. When the “escort” meets the customer at his (usually his) home or in a hotel, they can negotiate an exchange of money for sexual services. The owners of the agency can claim to be blissfully ignorant of what actually happens between their employees and their customers.
The sex trade is parallel to the magical world in the Harry Potter novels. Harry, as a person who was born to be a wizard, finds his community when he is sent to Hogwarts School for the magical arts. Harry, and the reader, learn that magical folk have their own culture, their own businesses, and even their own currency, of which the “muggles” are usually unaware.
Wherever you live, the sex trade is probably being practiced in some form near you. If you are not a buyer or a seller (like me as a tourist in Vancouver), you probably don’t notice it. The higher-paid forms of sex work (“escorting”) take place indoors where it is unlikely to be seen by anyone not directly involved.
There are already laws against the exploitation of underage children in any form of paid employment in most industrialized nations since the nineteenth century. If ten-year-olds are earning money on the street, they are being exploited by adults like the children in factories during the Industrial Revolution. The debate over this took place generations ago, and we don’t need to go there again. We have child protection laws, foster homes, and mandatory public schooling. Even if none of these things work perfectly, there is no need to create new laws to deal with the exploitation of children as workers.
There are also laws in place to deal with human trafficking: the transporting of people, without their consent, from one place to another, for various purposes, not only sex work. Domestic workers from other countries are notoriously subject to abuse. The solution to this problem, IMO, is to apply existing legal labour standards to all forms of employment.
Is the sex trade creating a commotion on a city street? Then laws against excessive noise can be applied. Are adult women being pimped against their wills? There are laws in Canada against kidnapping and forcible confinement. If police are being bribed to ignore flagrant violations of the law (and I’m not saying they are – this is a “what-if” speculation), then police corruption is the problem, not sex work per se.
What does all this have to do with the writing of erotica? More than you might think. None of us can ignore the culture in which we live, and attitudes toward sexual services as work are ultimately based on attitudes toward sex in general, paid or unpaid. As long as sex is considered shameful, and women (in particular) who engage in it are both blamed and pitied, sex work in its dazzling variety will be seen as a social problem.
Trying to legislate sex work out of existence is like trying to hold back the sea. As long as this is being done by muggles--even those with humanitarian goals--it’s safe to predict that the laws will be challenged again and again.
Friday, October 24, 2014
by Kathleen Bradean
Being a creative type, as you probably know, means having a particularly active brain. Which is all find and dandy when you find yourself stuck in traffic or in a doctor's waiting room and you have to self-amuse (in a publicly acceptable manner) for a while. That's the time to unleash the imagination and set it free. When it isn't such a great thing is when its two in the morning and you still can't fall asleep because your brain decides to run endless iterations of a bad scene you're dreading rather than shut off.
By three a.m, you realize why Morpheus was a god.
Family drama may be keeping me awake, but in those wee hours of the morning I do my usual 'thinking too much about things.' And what I mused too much about recently-- other than family drama-- is a question.
What's the point of erotica?
Saying "Well, to arouse readers, of course," seems too simplistic and possibly wrong. Possibly. Horror seems like a genre intended to scare people, but it often, especially in movies, is used to reflect upon and comment on our culture. What's the purpose of the mystery genre? Probably to reassure readers that there is order in life and there's such a thing as closure. That's a huge lie, of course, but-- to quote The Sun Also Rises-- "Isn't it pretty to think so?" Maybe the point of a mystery is to entertain the type of reader who likes a puzzle.
So maybe the point of erotica is to arouse, but I think it's more complex than that in the hands of some writers and some readers. Could it be that the genre uses sex and sexuality to explore the human condition, and that titillation is just a byproduct? Is it erotica if it only shows sex but it isn't arousing? (or is that simply literary fiction?) And does the author's intent matter? what if it was supposed to turn you on but didn't? Or what if it wasn't ever supposed to arouse but one reader got a tingle and some fevered dreams out of a scene?
You can see why such thoughts turn into little hamsters on unbalanced exercise wheels in need of lubrication. The squeaking alone is enough to stop a brain from turning off. Eventually it does, but not before a subtler thief sneaks at the edges of my thoughts. And here's the point where it turns slightly awkward, because the quote that came to me was from a children's movie. In Willie Wonka (the Johnny Depp version, not the Gene Wilder one), Charlie Bucket sagely comments that "Candy doesn't have to have a point." Maybe erotica doesn't need to have one either. But let me know what you think.
Posted by Kathleen Bradean at 1:00 AM
Thursday, October 23, 2014
Basically, it is a free promotional tool (though there are paid options you can explore) to help you get the word out about something. For the purposes of this post, I’ll use books as an example, as it’s what I deal with.
You sign up for a free account at Thunderclap.it, and follow the simple instructions to set up your campaign. Use graphics from your book if you can, as that way you’re increasing visibility of your book to those that click through to support your campaign. Spend some time crafting your message, adding some relevant hashtags if you’ve got room – bear in mind that this message will go out once and hopefully to an awful lot of people, so you want it to have punch, something to really make people want to click on the link you’ve provided. I’d also recommend only opting for 100 supporters the first time around – it sounds like a small number, especially if you have lots of social media savvy friends, but it’s tougher than you think to get people to click that link.
Once you’re happy with what you’ve done, submit your campaign and wait for Thunderclap to approve it (you can speed this process up by paying, but I’ve never done this). Then, when approval arrives, the really hard work begins. You have to get supporters.
Supporters are the whole point of Thunderclap – they’re the ones that are signing up to send out your message on the date and time you’ve selected. I think, since Thunderclap is fairly new, that people may be shying away from supporting Thunderclaps as they don’t fully understand what it means. So, in a nutshell, here goes: supporters are pledging to help you, by donating a Tweet, a Facebook status or a Tumblr post (or indeed, any combination of those three). That’s all. They’ll see the message they’re pledging to send out, hit those support buttons, and, providing you get enough supporters to “tip” the campaign, their social media account/s will automatically send out the message on the date and time you’ve selected.
The point of all this? Well, since we’re talking books – it’s to drive sales. If you have an upcoming book, you can set something up in advance to go out on your release date – then you’ve got a while to promote the Thunderclap, get your supporters and then you’ll get a big boost on social media on the day, which will hopefully get people clicking those buy buttons and pushing you up the respective retailer charts. Cool, huh?
There is more to it than just getting the supporters, though. Sorry to complicate matters :) Ideally you need supporters that Tweet/share/Tumble about books in your genre – so in turn their followers/friends/etc are more likely to be interested in your book. Also, it goes without saying that the more followers/friends/readers your supporters have, the more people are likely to see your message once it goes out. So if you can attract people with a large reach on social media, all the better.
But to keep things simple, maybe start out small, and once you’ve dipped your toe in the Thunderclap water and seen how it all works – you can be more adventurous next time.
Bottom line: make sure you’ve crafted a powerful message to go out, that will catch people’s eyes and make them want to click. Then sit back and (hopefully) watch your sales increase.
Want to see how it works from a supporter’s angle? Here are three Thunderclaps you can sign up for (and I’d be grateful of your help):
Timeless Desire – M/F erotic romance story
Little Boxes – contemporary romance novel
To Rome with Lust – erotic romance novel
I hope this has helped you. Feel free to share far and wide on the web, to help people gain an understanding of how it works. If I get lots of questions and queries, I may do another article at a later date with more specifics.